Reviewed By: Eden Zacarias

Publisher: DC Comics
Writer: Peter J. Tomasi
Artist: Patrick Gleason
Colorist: John Kalisz
Inker: Mick Gray
Genre: Comic Book
MSRP: $3.99 USA
Rating: T (Teen)
Release Date: Available Now

Grumpy, cocky and undeniably talented, Damian Wayne was a lot of things but the role that helped shape him into something other than a failed instrument of destruction that Talia al Ghul meant him to be was as Robin. So it was fitting that the Bruce Wayne’s offspring met his fate by the hand of the terror group led by his mother as the Boy Wonder in the pages of Batman Incorporated.

The loss of not one but two Robins (see the “Death in the Family” story arc) is painful, indeed, but this is different. This is the loss of a child that Bruce Wayne had taken under his wing to become a better man that would inherit the Wayne name and do it justice. Together, both men began to change as Batman’s family expanded for the better.

What would have become of Bruce Wayne with more time spent with Damian? Well, we’ll never know now but it becomes clear in Batman and Robin #18 that the impact of the loss of Damian Wayne suddenly hits Bruce hard enough that it is felt by anyone who picks up this unforgettable and touching issue.

Before I begin to describe the story, I must mention that there is not one caption or word balloon to be found in this issue. The only real words found throughout the pages of this issue come in the end in the form of a letter that Damian left behind for his father to find. However, words aren’t really needed to convey the emotional impact and this is thanks to artist Patrick Gleason who – along with Mick Gray and John Kalisz – manages to display more than enough emotion to make you pick up a box of Kleenex.

In the darkness of his mansion, Bruce Wayne finds himself numb and obviously not still mentally taking in the absence of a youthful presence that has become a big part of his life. In another room in the mansion, Alfred breaks down at the sight of an unfinished portrait of the Bat Family. Meanwhile, Bruce encounters Damian’s sketchbook showcasing a talent he kept to himself.

Then the shock that comes with the realization that a loved one is no longer among the living sets in as Bruce sees Damian everywhere whether it’s zipping down the pole that leads straight down to the Bat Cave or inside the Batmobile. The only way to quiet this ghost is to go out at the Dark Knight and he does exactly that as he hits the streets of Gotham.

And Batman hits the streets of Gotham in a way that truly brings terror into the eyes of the criminal element that also includes familiar Bat foes. He strikes hard and without mercy and as the night comes to an end we can see that the rage building up inside him exploded in an unusually violent manner.

In the end, back in the Bat Cave, that rage is replaced by something else as Bruce finds a letter that Damian had written before he set out that fateful day to meet his end at the hands of Leviathan. The words are so beautiful and touching that – I swear – it will have you shedding tears again. This is the moment that will change Bruce Wayne forever.

Whatever your opinion of Damian Wayne was you have to admit that he made a very interesting Robin and, in this reviewer’s opinion, was one of the better Boy Wonders whether he was fighting crime alongside Dick Grayson or his own father. He will be missed and it is already showing in the pages of other Bat titles but how it will affect this particular title remains to be seen.

Batman and Robin #18 is a brilliant and emotional issue that, without even a word of dialogue, displays the psychological impact of the loss of a family member. Bruce Wayne goes through a number of emotions in one night whether it’s disbelief, rage and finally acceptance in a way that makes this such a powerful issue. Tomasi and Gleason have given us a masterpiece and an issue of Batman and Robin you need to pick up right away.
COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
In the wake of the violent death of his son, Damian Wayne, Bruce finds himself dealing with the loss the only way he knows how … assuming the role of the Dark Knight and taking out Gotham’s trash in the most brutal way possible.

ART: A
In an issue that is told entirely through visual means, Patrick Gleason’s pencils masterfully convey emotion in a way that will utterly break your heart with nearly every panel. With the help of John Kalisz and Mick Gray, you will not help but find yourself pleased by the artwork.

OVERALL: A+
No words are uttered in Batman and Robin #18 and none is needed as it so easily speaks volumes of what Damian Wayne really meant to the man the Boy Wonder had come to call Father. Without a doubt, this issue should have come with tissue paper because it is guaranteed to break your heart and make you shed a tear or two. Damian Wayne, you will be missed.
Review copy provided by DC Comics

Reviewed By: Eden Zacarias

Publisher: DC Comics
Writer: Scott Snyder
Artist: Greg Capullo
Colorist: FCO Plascencia
Inker: Jonathan Glapion
Genre: Comic Book
MSRP: $3.99 USA
Rating: T (Teen)
Release Date: Available Now

Without spoiling the surprises or the “big reveal” that the conclusion of a decent story arc helmed, of course, by the brilliant Scott Snyder and talented artist Greg Capullo, I’ll go into the reasons why the Death in the Family is an enjoyable albeit not a game-changing story arc. With Batman #17, the story closes in a deliciously twisted and entertaining manner that only a villain like the Joker could bring to table in the Death of the Family storyline.

Even before The New 52 event, Batman and the Joker have had a long history that has seen these two opponents clashing in a battle that is both physical and psychological. The relationship between them runs deeper than any wound inflicted by their confrontations. However, this time might seem a little different as the Joker has turned his attention on the ones that the Dark Knight has come to see as his “family.” We all know that when the Clown Prince of Crime sets his sights on his latest victims he goes to great lengths to make sure the punchline of his twisted joke kills.

So what happens in Batman #17 is the outcome of the Joker’s killer joke as he unveils to Batman his psychotic version of a family dinner. Tied back in their seats with bloody bandages covering their faces are Bruce‘s extended Bat-family who had fallen prey to the Joker who tells Batman that if he got out of his seat it would trigger an incendiary trap that would prove fatal to the dinner guests who have been doused with gasoline.

Oh yeah, there’s also a diabolically twisted version of Alfred Pennyworth who was affected by a new kind of toxin the Joker has discovered and – to his maniacal glee – has used to transform the Wayne Estate’s butler into a freaky man-servant for the Joker. Leave it to Greg Capullo to turn Alfred into a demented-looking and menacing version of the kindly father-figure.

As I said in the beginning of the review, I will not spoil what happens but I will say that Batman manages to break free and chase the Joker in the confines of the Bat Cave only to come face-to-face with his old foe. Yes, physical blows are given and taken but the real damage comes in a psychological manner that finds the Joker facing the truth about not only himself but Batman as well.

The result is a fascinating verbal exchange that Scott Snyder conceives that makes this issue worth picking up alone. Sure, it doesn’t reveal anything too shocking and those expecting Batman to expose the Joker’s true identity will be disappointed. The words spoken here does reveal something even more important, which leads up to an even more intriguing final bit that Bruce mentions to Alfred.

I should also say that Snyder’s Joker is absolutely sick and twisted and we get that with this story as well as this final issue.

As a fan of Scott Snyder’s work, I found the last issue of this story arc to simply entertain without doing anything that will leave Batman fans completely surprised. I didn’t expect anyone to die, of course, but I wish there was more to the ending than what the epilogue exposes. How could it all lead up to a confrontation we have seen many times before in other Batman titles?

Of course, it’s hard to complain when the best parts of the story are complimented by Greg Capullo’s pencils. Without a doubt, he easily makes every page a visual delight that will have you staring at each panel, especially the scenes during the dinner that involve a freaky kitten and the Joker’s new toxin. Even the Joker’s gruesome face-mask is awesome. We tend to praise Capullo’s work often on this site and if you pick up this book you will see exactly why he’s such a fan favorite.

Batman #17 is a truly entertaining and the verbal sparring by Batman and the Joker is worth the price of admission alone. Will the finale of this story blow you away with a game-changing event or even end with a horrific death? No, but what it will do is give Batman fans yet another story arc that has Batman and the Joker redefining the relationship between them and why the Caped Crusader can’t come to kill his foe. It’s a good story well worth picking up.

COMIC REVOLUTION RATING BREAKDOWN

STORY: B+
In this final chapter of a most interesting saga, the Joker reveals his utterly twisted final plan in the form of a not-so-inviting family dinner with all the players in great danger. However, it is Batman who turns the tables on the Clown Prince of Crime in an unforgettable confrontation that speaks volumes of their relationship.

ART: A+
Batman fans rejoiced the fact that Greg Capullo is working on this title and the result is a Batman book that is easily the most spectacular-looking visuals. With flawless coloring by Plascencia and perfect inking by Glapion and we have a book you won’t stop staring at from start to finish.

OVERALL: B+
An engaging conclusion to the Death of the Family event, Batman #17 says a lot about the relationship between a hero and his family as well as the villain whose connection to said hero is a deep one. While a part of me wishes the story ended differently, it’s hard to complain when the rest of the story is this compelling and way too much fun despite not doing anything too dramatic. Batman fans, you do not want to miss this story arc.

Review copy provided by DC Comics

Reviewed By: Emma Coverdale

Publisher: DC Comics
Writer: Jeff Lemire
Artist: Andrea Sorrentino
Colorist: Andrea Sorrentino and Hi-Fi
Inker: Andrea Sorrentino
Genre: Comic Book
MSRP: $2.99 USA
Rating: T (Teen)
Release Date: Available Now

Admittedly, I have been looking forward to The New 52 version of Green Arrow. In fact, I was optimistic that he would finally get a series that showcases his strengths and weaknesses in a way that would breathe new life to this familiar hero. We’re talking a series with a fresh new start worthy of DC Comic’s crime fighting archer and member of the Justice League.

Sadly, Green Arrow’s new beginning fell short in many ways but devoted fans (like myself) held on in hopes that the series would eventually get better. Then came the announcement that the series would get a new creative team that would finally turn things around for the better and this was good news indeed. With  “Sweet Tooth” author Jeff Lemire penning the story and Andrea Sorrentino handling the art, this new team takes aim but does it hit the target?

Before I answer that question, let’s get to Green Arrow #17’s actual story that begins in a scorching wasteland. A lone figure comes into frame and it is clear it is none other than Oliver Queen who informs us that he has lost everything. We fast-forward three weeks earlier as Oliver pushes his way into Queen Industries’ main offices looking for Emerson … than man who currently runs Queen’s family business.

As it turns out, Queen Industries has been sold to a rival corporation and Ollie is obviously angry with Emerson who allowed this to happen. Emerson has been expecting Oliver to show up and points to the fact that Ollie is nothing more than a man-child who needs to realize his true potential. In fact, he seems to know something else … something that points to Oliver Queen’s real destiny.

However, before Emerson can go into details, he is brought down by an arrow that seems to be familiar to Oliver. Suddenly, Emerson goes flinging out the window as security officers enter to find Oliver Queen standing over said window. This looks suspicious and Oliver knows it as he has no choice but to fight his way out of the building. His only real choice is to get to Q-Core to get to his gear and costume only for the unthinkable to happen to the only two friends he has left.

Thankfully, he is able to turn to a safe house where he not only manages to get to his gear but is also confronted by a mystery attacker who seems to know who he is as well as his secret identity. As a twist of fate, the attacker also happens to be a talented archer who happens to possess all of the Green Arrow’s various arrow attachments and his bow.

Introduced as Komodo, the villain archer is a worthy adversary who is a step ahead of the Green Arrow and is far more skilled in combat than Ollie. The battle quickly turns one-sided but when things are about to go really sour for our hero a mystery man jumps into the battle. This newcomer also seems to know the Green Arrow as well as the truth of Oliver Queen’s real destiny.

Jeff Lemire opens up new possibilities that point to a new direction that actually works despite the hero-loses-all-to-discover-his-true-potential-to-regain-what-he-lost theme. It’s been done before and in the pages of a Green Arrow book to boot but Lemire has always been the kind of writer who never fails to surprise his readers. His talents clearly make this issue an interesting read that gives Green Arrow fans hope that things can only get better with Lemire at the helm.

As far as the artwork is concerned, Andrea Sorrentino (whose work in “I, Vampire” gave it its exceptional visual style) finally makes Oliver Queen and his alter ego look natural. Sure, I miss the moustache but at least he doesn’t look like a macho version of Justin Beiber like in the first issue. Sorrentino’s artistic style is both unique and gorgeous with perfect coloring and realistic expressions on the faces of the characters. Whatever happens, Sorrentino should officially stay on as Green Arrow’s main artist.

In my opinion, Green Arrow #17 is the series’ actual new beginning as the new team of Jeff Lemire and Andrea Sorrentino aim high and hits the target just right. While the theme has been done before, knowing Jeff Lemire we can come to expect exciting developments with each new issue and adding Sorrentino’s artwork we have ourselves a Green Arrow book we should have gotten in the first place. This is a real Must Have for any Green Arrow fans.

COMIC REVOLUTION RATING BREAKDOWN

STORY: B+
Without a moment’s notice, Oliver Queen’s life is about to take a most interesting yet disastrous turn as a mysterious attacker targets Queen and his alter ego, the Green Arrow. As he loses everything and those he had called allies, the Green Arrow comes face-to-face with a new foe who seems to know all about him.

ART: A
Andrea Sorrentino’s art is expressive, unique and brings us a Green Arrow who is fit for the modern age  and whose physical presence feels far more real than past versions. Without a doubt, Sorrentino’s talents will not go unnoticed by Green Arrow fans and comic book collectors everywhere.

OVERALL: B+
With Jeff Lemire handling the story and Andrea Sorrentino bringing his distinctive visuals to this book, Green Arrow is just starting to get  interesting and – as we can see from this 17^th issue – push our hero into familiar if not promising territory. For those who lost faith in this series, rejoice, this new direction is shaping out to be exactly what the Green Arrow deserves.

Review copy provided by DC Comics

Reviewed By: Evelyn Finch

Publisher: DC Comics
Writer: Geoff Johns
Artist: Jim Lee, Carlos D’Anda, Gene Ha, Ivan Reis, David Fich & Ethan Van Sciver, Scott Williams
Colorist: Alex Sinclair, Gabe Eltaeb, Tony Avina, Sonia Oback, Art Lyon, Pete Pantazis & Hi-FI
Genre: Graphic Novel (Hardcover)
MSRP: $24.99 USA
Rating: T (Teen)
Release Date: Available Now

Leave it to Geoff Johns and Jim Lee to jump at a chance to take a familiar cast of characters and breathe new life into this legendary team. What we have now is The New 52 take on the Justice League and judging by the overwhelmingly positive reaction to Volume 1 you can bet that Johns and Lee have outdone themselves. So you can imagine how much I have been anticipating the arrival of the second volume and I should say that Volume 2 The Villain’s Journey of the Justice League does not disappoint in the very least.

That’s no surprise, really, seeing as the talent involved managed to show us – with a mere six issues – that this new team of heroes offer a number of possibilities that could only spell a compelling tale that can only get more interesting.

Covering issues 7-12, Volume 2’s story takes place a year after the seven heroes that make up the Justice League went up against the threat that was Darkseid and his invading minions. Superman, Wonder Woman, The Flash, Aquaman, Batman, Cyborg and the Green Lantern quickly become seen as saviors by the entire world as well as Gods thanks to a book written by a best-selling author named David Graves. On top of that, they have A.R.G.U.S. backing them up with Colonel Steve Trevor as their official liaison.

Much has happened in one year as the Justice League has taken on a number of foes … many of them very familiar whether it’s going up against the menace that is the Talon or a villain known as Spore. With the tactical genius of Batman, the group has learned how to fight as a team and play off each another’s strengths. Some things still remain the same such as The Flash and the Green Lantern still pissing Batman off but now the Dark Knight has gained a close friend and ally in Superman.

Despite being seen as close friends, however, the truth is that each member of the League have much to learn about their personal lives. The Flash and Green Lantern are surprised to learn that Superman has an alter ego who happens to be a journalist or that The Flash has a girlfriend or even that Cyborg knows everyone’s credit score among other private details.

Meanwhile, we learn that Colonel Trevor has problems of his own with the press hounding him about his relationship with Wonder Woman as members of Congress put pressure on him to not only allow them to see what is inside the League’s home base known as the Watchtower but also have the team be open to the idea of adding a new teammate. Trevor believes that Congress is trying to plant a spy with this supposed new teammate and knows the Justice League is definitely not open to a new member after an unfortunate incident with the Martian Manhunter.

Speaking of a new teammate, the hero who sees himself as the prime candidate to join the League is none other than the Green Arrow. He manages to show up in time to lend an intrusive hand as the Justice League takes on their enemies but neither one really wants a man like him on the team. The Green Arrow is a stubborn fellow who will stop at nothing to join the team but his persistence leads to an offer from Colonel Trevor himself.

However, the real trouble arises when famed author David Graves – who is dying from an unusual illness – takes the life of his acting physician. It’s clear that he blames the Justice League for his illness as well as the death of his family. So he turns to a power that changes everything for him and with this new power he sets out to use it to show the world that the Justice League aren’t as Godly as he first thought.

The best part is that Graves doesn’t turn out to be a random villain that came out of some cookie-cutter. He has a legitimate reason for hating and attacking the Justice League thus making him a compelling and tragic figure. His first target is none other than Colonel Trevor who he sees as one of many of the League’s weaknesses. Trevor, who is nursing the wound that Wonder Woman left behind, find himself in danger as Graves uses him as something of a hostage.

Meanwhile, the Justice League sets out to rescue him but not before Wonder Woman – in a massive emotional meltdown – manages to give the public a glimpse that they can fell apart just like regular humans. In fact, Wonder Woman is caught smacking the Green Lantern around. Things go sour when they finally do confront Graves who shows them all their Achilles ’ heel.

Without a doubt, David Graves as a villain has proven to the very man who will end up changing the Justice League for good. Whether this means the addition of new members or a fight for leadership (Aquaman has so been looking to take charge), we have yet to see but trust me when I say that Geoff Johns continues to keep us wanting more. On top of that there’s the famous and very surprising kiss between Wonder Woman and somebody that isn’t Steve Trevor.

On the visual side, Jim Lee still makes the Justice League look good and just about every panel seems to leap off the pages. Unlike the first volume, however, there’s a prologue drawn by Gene Ha and a chapter with the art of Carlos D’Anda with Ivan Reis and Joe Prado that isn’t bad at all.

In the end, Volume 2 The Villain’s Journey is a collection that makes up an epic story that doesn’t fail to keep Justice League fans new and old on the edge of their seats. Geoff Johns and Jim Lee continue to be the team that makes this series such a treat to pick up and if you managed to miss these key issues then this hardcover collection definitely should be among your collection.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A
A year has passed since the formation of the Justice League and their battle with Darkseid and Colonel Steve Trevor finds himself answering to a congressional hearing regarding the team’s God-like status among the public. However, a new threat rears its ugly face in the form of a man who knows much about the Justice League … including their weaknesses. Meanwhile, a hotshot hero calling himself the Green Arrow will stop at nothing to become a member of the team.

ART: A+
A collection of artists lends a hand in making Volume 2 a visually-pleasing hardcover volume whether it’s Gene Ha’s pencils or that of the talented Carlos D’Anda. Jim Lee fans will have nothing to complain about, though, because he continues to make Justice League an artistic treat for the eyes.

OVERALL: A
Thanks to the brilliant writing by Geoff Johns as well as the talents of a great cast of artists led by the always amazing Jim Lee, Volume 2 of the Justice League continues to impress and make this series one that never ceases to surprise. Add a new kind of villain and the promise of a change in the team’s roster and you have a story and series that is just too good to pass up.

Review copy provided by DC Comics

Reviewed By: Faith McAdams

Publisher: DC Comics
Writer: Geoff Johns
Artist: Gary Frank
Colorist: Brad Anderson
Genre: Graphic Novel (Hardcover)
MSRP: $22.99 USA
Rating: Teen
Release Date: Available Now

Ah, yet another Earth One take on a familiar hero again, that’s what I thought to myself when I received a copy of Batman: Earth One.

I disagreed with Eden Zacarias’ review of Superman: Earth One, a graphic novel that began very promising but ended up being a major disappointment on so many levels that I was instantly put off by the Earth One label. However, leave it to Geoff Johns and Gary Frank to prove that an Earth One re-imagining could be impressive and compelling enough to make you see a familiar hero in an exciting new light. Yes, Batman: Earth One is a graphic novel worthy of the Dark Knight and one you will not want to put down once you open it.

Welcome to a slightly different Gotham City that is still plagued by violence, corruption and a rich history soaked in the blood of its sons and daughters. It is a place that a man named Thomas Wayne calls his home and when you love your home you would do anything to protect it and that he will try to do as a candidate for the position of Mayor. So, on a particularly dark night, a taxicab pulls into the Wayne estate and the man who gets out is a crippled man whose eyes and grizzled appearance that makes it clear that this man has gone through hell many a time. This man is Alfred Pennyworth who has come to work for his old friend, Thomas Wayne during the thick of the election.

However, on the same night, Mister Wayne, his wife and their rather spoiled son, Bruce, head out to the movies, the boy’s life changes forever thanks to a man and his gun. With Martha and Thomas dead, Alfred Pennyworth discovers that they had named him sole guardian to Bruce who is clearly traumatized by the murder of his mother and father right before his eyes. Alfred, a man who clearly does not want to be a parent again, suddenly finds himself the sole custodian of the boy. When asked who he was by said boy, Alfred introduces himself as his butler.

Fast-forward several years later and we find Batman on the rooftop of a building chasing a man the Dark Knight has been hunting. When he attempts to use his familiar grappling gun, it totally fails on him and he even takes a nasty tumble off the roof. Oh yeah, he’s not exactly the highly-trained acrobat we know him to be and its clear by Alfred’s reaction that Bruce isn’t ready to take on Gotham. However, Bruce is convinced that the current Mayor had his parents killed that night and the man he is chasing – one Jacob Weaver – was the cop on the scene that night who conveniently quit the force to work for the Mayor.

It is this determination that makes Bruce Wayne turns to Lucius Fox who works in the Design and Engineering department of the Wayne Medical facility to fix a few of his gadgets such as his grappling gun in exchange for keeping him on a development project that could benefit one Fox’s loved ones. Meanwhile, we meet Jim Gordon who is not Commissioner but rather just a detective who is not thrilled about being partnered with Harvey Bullock, a TV celebrity cop who was the star of a reality show called Hollywood Detectives.

Oh but there’s something different about this Jim Gordon who still has the love of his daughter, Barbara, but not his wife who is deceased. This Jim Gordon isn’t the crusader for justice we know him to be either as he shows us while on patrol with Bullock who is eager to make a bust. In fact, he even apologizes to a local hood named Ax when Bullock tries to arrest him for beating up on another person right in front of them. It’s clear that Gordon has been threatened by Gotham’s underworld and lacks the drive that Bullock possesses. He doesn’t even take an interest in the savage killing of young girls by a serial killer who is being called The Birthday Boy.

In the meantime, Bruce Wayne attends a party celebrating the Wayne and Arkham contribution to Gotham as he shows his face out in public before a crowd that includes the Mayor who just so happens to be a very familiar face and a most obvious suspect to Bruce’s allegations that the Mayor had his parents killed. It is during the party that Bruce, as Batman, tries to grab Jacob Weaver only to crash his own party and make Batman public. He nearly escapes an encounter with the police and does what we never thought Batman would do … punch out Jim Gordon!

There’s another first for Batman fans as Bruce and Alfred has an encounter that will leave you with your jaw dropped open while Gordon is punished by having his daughter, Barbara, kidnapped and taken to the Birthday Boy. It is here that the Jim Gordon we know finally surfaces as he tries to find his daughter and Batman follows a lead that will take him to a place that is connected to his past, particularly his mother’s side of the family that will lead him to a surprising finale.

Batman Earth One is filled with interesting moments in Bruce Wayne’s life including a childhood rivalry with Harvey Dent. Also, the relationship between this Bruce and Alfred is even more intense as both men try to come to terms with what led them to form this almost father-son bond between them. This Bruce isn’t an easy person to be around and the fact that Alfred sticks around speaks volumes of their relationship. On top of that, there’s Jim Gordon who is just trying to survive Gotham.

As I mentioned in the beginning, Geoff Johns changed my mind about the Earth One label and that is thanks to his writing that continues to impress and even more so when he is given the chance to start a legend from the beginning as we can see from his work on The New 52 Justice League. Add Gary Frank’s expressive artwork and you have something even more unique. Frank’s vision of Batman is realistic and the fact that we can see Batman’s eyes captures the emotions he is going through. This really is one gorgeous-looking graphic novel.

Batman: Earth One is a refreshing, compelling and absolutely riveting take on the Dark Knight thanks to Geoff John‘s great storytelling, Gary Frank’s impressive artwork and a unique vision that reinvents a classic hero in a way that doesn’t disappoint long-time fans. This Batman/Bruce Wayne has more demons than the hero we know and it is reflected in his eyes. Whatever you do, Batman fans, do not miss this graphic novel.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
A rough-around-the-edges Alfred discovers that Bruce Wayne has taken up a new cause to discover the murder of his parents when he was a child but he does so as Batman. Although in need of better training, this Batman finds himself uncovering the truth behind Thomas and Martha Wayne’s murder. Meanwhile, a completely defeated Jim Gordon is partnered with a celebrity lawman who inspires

ART: A+
Gary Frank is a master artist who continuously surprises anyone who has seen his work and the same can be said about his work here that is complimented by Brad Anderson’s coloring and Jonathan Sibal’s inking. Batman has eyes in the movies so why not in the comics?

OVERALL: A+
A fascinating and refreshing new vision of the Dark Knight, Batman: Earth One is exactly how you do a reinvention of a Batman story. Both Geoff Johns and Gary Frank offers a Batman tale that makes us realize that there’s room for a fresh take on a classic hero. Now this is what I call an Earth One story and a Batman graphic novel that deserves to be among your library.

Review copy provided by DC Comics

Reviewed By: Faith McAdams

Publisher: DC Comics
Writer: Scott Snyder
Artist: Greg Capullo
Colorist: FCO
Genre: Graphic Novel (Hardcover)
MSRP: $24.99 USA
Rating: Teen
Release Date: Available Now

When The New 52 was announced, just the idea of giving each DC favorite a fresh new start sent a shockwave throughout the comic book community. Without a doubt, it was one of the most anticipated events for comic book fans and it did not disappoint in the very least. As it did for other DC titles, the Batman series also sees a new beginning this time under the care of the brilliant team-up of Scott Snyder and Greg Capullo. Volume 1: The Court of Owls covers the first seven issues of Batman … a series that will not fail to keep you on the edge of your seat from the very start.

Gotham City is not only home to a number of flashy and eccentric characters but it is has a rich history filled with mysteries that are older than the city itself. One of these mysteries are the urban legends involving a mysterious group called the Court of Owls that has eyes everywhere and nests scattered throughout and if you’re not careful they will send the Talon for your head.

Sounds scary, doesn’t it? However, for Bruce Wayne, the Court of Owls is nothing just an urban myth that is but one part of Gotham’s “charm”. Still, Batman has his hands occupied with a real threat and that is the inmates of Arkham Asylum where all the familiar faces are facing off against the Bat … and the Joker? Well, that’s what it seems like to Commissioner Gordon as yet another case is closed for Dark Knight.

Meanwhile, as his alter ego, Bruce introduces his new project that will change the face of Gotham in a major way. With all of Gotham’s wealthy citizens as well as some very important figures like Lincoln March, Gotham’s current mayoral candidate. Even Dick Grayson, Tim Drake and Damian Wayne are present to show their support. However, it is March that Bruce wants on his side since he seems to stand for all the things that are good about the city. He even agrees to meet with March in private, but duty calls and Bruce sneaks away to see to a gruesome murder scene.

It seems that a complete mystery man with no real prints or a true identity is found strapped and used like a human dartboard with antique throwing knives stuck to all the right vital organs. The killer also left behind a message in oil that says Bruce Wayne will die tomorrow. Investigating the murder, two things show up that are quite surprising. One is that the body of the victim carries the unusual signature of the Court of Owls and the other being that DNA found on the body also points to somebody very close to Batman.

Despite having a new mystery to unravel, Bruce meets with Lincoln March on the top floor of the original Wayne Tower when they are both attacked by a man in an unusual costume that brings to mind Night Owl from The Watchmen. Armed with antique throwing knives, the assailant injures March and throws Bruce out the window but the only one that goes splat is the killer who gets up again. Thus, begins Batman’s frantic search to find the Court of Owls. He’s like a man possessed as he investigates as he tells Dick Grayson about an incident in his past that became something of an obsession.

When he does find evidence of the Court of Owl’s existence, Batman falls prey to a trap that will test his survival skills and his very own sanity. Locked in a labyrinth with various clues about the group, Batman becomes disheveled and pushed to the edge of sanity. Several days in the darkness, Batman ventures out only to see that the Court had dealt with Waynes before such as Alan Wayne who was thought to have died when he fell down a manhole. Suddenly, the Court’s assassin called Talon attacks and injures Batman so badly that he suddenly tastes death by the hands of the Court itself.

In a desperate battle to stay alive, Batman manages to get the upper hand on his enemy and also finds a way to escape only to pass out and wake up in a van where he was brought back to life by none other than a girl that Batman knows well. It is back in the Batcave that the Dark Knight discovers that Alfred had picked up the body of the Talon. It is there and then that Batman makes a very grim discovery as well as a shocking link between the man who wore the Talon outfit and Dick Grayson himself.

I said it once and I’ll say it again, Scott Snyder is one of the best comic book writers to come along in a long time and this Batman series is better with him behind the story. He weaves an interesting tale with enemies that give the Dark Knight something to worry about and, by the end of this volume; you will want to see where The Court of Owls storyline will take our hero who is a Batman with more personality and flaws. This is a Batman who can get hurt and knows his own limits.

Then there is the artwork by Greg Capullo that is absolutely gorgeous and beautifully detailed to the point that you will be flipping back the pages to admire the artwork again. Since the story contains gruesome scenes, there’s blood aplenty and Capullo pulls it off brilliantly.

An astonishing new Batman title that marks the perfect beginning for fans new or returning, Volume 1 of this hardcover collection is a Must Have for any comic book fan who has been waiting for a great Batman book. Snyder and Capullo are a pitch-perfect duo that make this series and its storyline worth reading and trust me when I say that you will be wanting more by the end. The New 52 is a hit and it’s because of titles like this one.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
Investigating a gruesome murder, the Dark Knight uncovers a threat to the life of his own alter ego, Bruce Wayne, by the Court of Owls. What he thought was simply a fabricated urban legend becomes truth as Batman is targeted by this group and its dangerous knife-throwing assassins. Suddenly, Batman finds himself a prisoner of the Court as he fights for his own survival or die trying.

ART: A+
Greg Capullo’s artwork is absolutely stunning and fits the story perfectly as Capullo captures Batman at his most vulnerable and pulls it off beautifully. He is certainly the best choice for handling the art in this series and the coloring by FCO and the inking by Jonathan Glapion make this a team made in comic book heaven.

OVERALL: A+
Snyder and Capullo not only bring us one of the strongest entries in The New 52 but also a Batman series long-time and new fans of the Caped Crusaders will enjoy sinking their teeth into from the very beginning. Without a doubt, Volume 1: Court of Owls is a collection that really should be sitting in your shelf with other classic Batman hardcover editions.

Review copy provided by DC Comics

Reviewed By: Evelyn Finch

Publisher: DC Comics
Writer: Geoff Johns
Artist: Jim Lee, Carlos D’Anda (Epilogue Artist)
Colorist: Alex Sinclair, Gabe Eltaeb, Tony Avina & Hi-FI
Genre: Graphic Novel (Hardcover)
MSRP: $24.99 USA
Rating: T (Teen)
Release Date: Available Now

I like to think that I’ve seen it all when it comes to comics but there’s always a graphic novel or a comic book event that pulls the rug from right under my feet leaving me flat on my back very surprised but with a smile on my face, nonetheless. The New 52 was one of those events that took comic book fans everywhere by surprise and did not disappoint in the very least and even more so for fans of the DC Universe’s most impressive superhero team called the Justice League. Volume 1 Origin covers the first six issues of this epic reboot and believe me when I say that if you weren’t a fan of the Justice League then you most definitely will be after picking up this hardcover collection.

The Flashpoint event has changed the world in ways that have made heroes like Batman and Superman something of a myth rather than a reality. In fact, you will find that the cast is somewhat younger than when we last saw them. In the opening of the book, the city of Gotham and its law enforcement know that Batman is real and there is no place for a costumed vigilante like him, which is why they are hunting him. Meanwhile, Batman is doing some hunting of his own as he chases after a being that certainly doesn’t look like he belongs to this planet let alone his city.

It is then that he meets another hero who Batman has heard about and who people in his own city know as The Green Lantern. It’s something of a surprise to Hal Jordan that Batman does exist and the pair team up to try to stop the alien who utters a single name before he is vaporized by an alien artifact … Darkseid. Since their opponent was clearly from another planet, the pair turn to the only extraterrestrial our planet is aware of that that being is none other than Superman in Metropolis.

Unfortunately for both heroes, Superman isn’t very welcoming and especially after seeing Batman carrying the alien cube. It seems that the Man of Steel was attacked by a similar foe and he is not in the best of moods. Oh yeah, this Superman means business and gives Batman and the Green Lantern a fight they’ll remember. In fact, the Green Lantern has to call a friend of his from Central City named Barry Allen or, as that city knows him, The Flash. It takes a few seconds for the Flash to arrive and slightly give Superman something of a challenge.

However, when more alien invaders arrive, Superman realizes that the trio really doesn’t have anything to do with this and takes them to his hideout, which certainly does not resemble his Fortress of Solitude. Meanwhile, a young man football phenom named Victor Stone who happens to be the son of Doctor Silas Stone who is making a breakthrough study. Upset that his father wasn’t there in the biggest game of his life, Vic goes to S.T.A.R. Labs when the alien cube they were studying opens a portal that lets in more of the same alien invaders. One even shoots Vic Stone, changing the young man’s life in a bizarre way.

Not too far away, a military liaison is searching his charge, the Amazon princess known as Wonder Woman who wandered outside with sword in hand looking to fight one of the aliens reported in the area. She finds a battle, all right, and joins the other heroes in battle. Fighting near the ocean, another familiar face shows up as we meet Aquaman. Back in S.T.A.R. Labs, Doctor Stone is determined to save his son whose injuries are extreme. He injects his son with nanites as well as fits him with armored limbs turning him into a Cyborg who is successfully activated and online. Vic, in his new state, comes to a realization about the enemy and sets off to stop them only to find himself fighting alongside the very super humans his father studies.

Suddenly, this band of heroes are fighting as a team despite the fact that Aquaman is trying to push his way into a leader role and the Green Lantern is not a team player. Still, thanks to Batman’s direction, they begin to fight as a group. Then the leader of the alien invaders arrives and it is none other than Darkseid who turns out to be a formidable foe.

Geoff Johns certainly had quite a task in re-introducing the world to a team of familiar faces that are younger, brasher and totally entertaining to watch. He spins a good story with memorable scenes between each character whether it’s Green Lantern calling Batman a tool or Flash calling dibs on Wonder Woman. This is a younger team with a different kind of energy that makes even Aquaman badass.

Then there’s Jim Lee’s artwork that pretty much makes this series not only look amazing but is the perfect choice to handle a series this big. The new costumes really work, although I agree with Green Lantern that Aquaman’s necklace has got to go but other than that everyone looks good in action and you will not be disappointed by Jim Lee’s pencils, perfect coloring and inking that make up the overall art.

Justice League, Volume 1 Origins is everything you can ask for in a new beginning and it is – without a doubt – an unforgettable comic book reading experience. Geoff Johns and Jim Lee are the perfect team to bring us this new re-introduction to a league of heroes that are refreshingly younger and way too much fun that you won’t be able to take your eyes off of them. If you missed it the first time around, this hardcover collection NEEDS to be in your library.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
In the middle of chasing a mysterious foe on the rooftops of Gotham, Batman encounters another hero who is known as the Green Lantern. Joined by The Flash, Batman and Green Lantern find themselves trying to unravel the mystery of these invaders with the aid of the one called Superman. Suddenly, the are joined by other heroes they’ve never met including Wonder Woman, Aquaman and a young man trying to make sense of his new cyborg body.

ART: A+
Without a doubt, Jim Lee is a brilliant choice to usher in a new beginning for the Justice League as we can see from everything from the great covers to his amazing-looking action scenes. Backed up by talented colorists like Alex Sinclair and inking by Scott Williams, Jim Lee makes the younger cast of superheroes look damn good.

OVERALL: A+
The New 52 is one of the best things to happen to comics in a long time and Justice League is proof of that as it reintroduces us to familiar heroes in a way that will not fail to take your breath away. It’s no easy feat crafting a new legend but Geoff Johns and Jim Lee pull it off flawlessly and in a way that if you weren’t a Justice League fan before you certainly will be after picking up this hardcover collection. No comic book fans should be without this one, believe me.

Review copy provided by DC Comics

Being fans of anything that DC Comic’s Vertigo line puts out, we are excited to find ourselves not only enjoying the current titles available this 2012 but also the new titles that are headed our way this coming March. In fact, those lucky enough to have picked up the free Vertigo Preview 2012 issue will find that Vertigo has four new titles that – in our opinion – has what it takes to become fan favorites.

Hitting the shelves this March are Dominique Laveau: Voodoo Child, The New Deadwardians, Saucer Country and FABLES spin-off, Fairest. Each title, judging by the preview issue, fits right in with Vertigo’s line of titles perfectly and yes, FABLES fans, Fairest definitely sounds like a big hit already. Here’s what you can come to expect from the four titles:

THE NEW DEADWARDIANS

With art by “At The Mountain of Madness” artist I. N. J. Culbard and written by “Resurrection Man” author Dan Abnett, The New Deadwardians in an intriguing eight-part vampires versus zombies tale told in an alternate version of London, England during the post-Victorian era. In the story, the upper class have volunteered to become vampires while the lower class citizens become flesh-eating zombies.

The preview introduces us to Chief Inspector George Suttle who wakes up in his home to a disturbing home invasion that sets the tone perfectly for a title with a zombie and vampire twist. Just by the preview alone we can tell the storytelling and the fantastic artwork will make this a rewarding reading experience for those who have a taste for a different kind of supernatural tale.

We come to expect The New Deadwardians #1 on sale on March 28.

DOMINIQUE LAVEAU: VOODOO CHILD

Written by Selwyn Seyfu Hinds with artwork by Denys Cowan (of “The Question” fame), Dominique Laveau: Voodoo Child is a new series that is soaked in that deliciously mysterious New Orleans flavor that makes this series such an intriguing one. One taste of the preview and we were already asking for the whole meal as we are thrown into the Big Easy in its most interesting and tragic times.

The story finds college student Dominique Laveau in a New Orleans that has been crippled by Katrina. She finds herself looking for answers in the tomb of an ancestor that carries her same name when suddenly she is transported to the aftermath of a slaughter. The newly deceased are all members of the court of the Voodoo Queen but there’s a single survivor and he turns his attention to Dominique!

This New Orleans bourbon-flavored supernatural tale will become available on March 21 as Dominique Laveau: Voodoo Child #1 hits store shelves.

FAIREST

“Mirror, Mirror, on the wall, who is the fairest one of all?” This is a question that will be answered in Fairest, a sort of spin-off from the FABLES series. FABLES fans will recognize the characters as writer Bill Willingham and the amazing artistic talents of Phil Jimenz, Andy Lanning and Adam Hughes.

Fairest finds FABLES characters Cinderella, Sleeping Beauty, The Snow Queen, Rapunzel, Snow White, Rose Red and Thumbelina together as the FABLES women take center stage. In the preview we read we find a familiar “prince of thieves” and his small genie companion who promised him a different kind of riches. As it turns out, it is more than our young prince imagines.

Fairest #1 is expected to go on sale on March 7.

SAUCER COUNTRY

Those who know Paul Cornell’s body of work whether it be “Demon Knights” or “Doctor Who” know that this talented writer is certainly more than capable of bringing us a story worth sinking our teeth into and even more so when he’s backed up by our favorite “The New York Five” artist, Ryan Kelly. What we get is Saucer Country, a tale of politics and alien abductions.

Meet Arcadia Alvarado, the Mexican-American Governor of the State of New Mexico, who has her eyes set on the White House as the first female President of the United States. On the road, however, she is suddenly flooded by memories of a nightmarish encounter of the third kind. Are there aliens from another planet? What does the government know about alien abductions like her case? The only way to find out is to become President and so she sets out to win with a vengeance.

Space aliens and politics make strange but interesting bedfellows as Saucer Country #1 on March 14.

Reviewed By: Faith McAdams

Publisher: DC Comics
Writer: Geoff Johns
Artist: Andy Kubert
Colorist: Alex Sinclair
Genre: Graphic Novel (Hardcover)
MSRP: $22.99 USA
Rating: Teen
Release Date: Available Now

When it comes to big summer comic book events, DC Comics certainly knows that bigger is definitely better but this year they manage to outshine every past events by taking everything we know about the entire DC Universe and mixing it up in a way that was too good to pass up. We’re talking about Flashpoint – an event that has led up to a new change in a number of DC Comics. Brought to us in a hardcover graphic novel, all five issues of the series make for a book every comic book collector should own.

Barry Allen’s life has been an interesting one that changed one evening when he was struck by lightening in the crime lab and thus giving birth to The Flash. He had everything except for his mother who was taken from him a long time ago. Then, all that he knew about his life suddenly takes a most startling twist when he wakes up from a quick snooze in the crime lab. What he quickly discovers is that the world is not the same and it hits home the second he comes across his mother who is still alive.

Oh, but that’s not all. The world, it seems, is in turmoil as a massive war between Wonder Woman and Aquaman is tearing the globe apart. Barry also discovers that the world knows nothing of Superman or even the Justice League. Has he somehow crossed over to a parallel universe or some other kind of mirror world? When he learns that his mother knows about Batman, Barry Allen heads to Gotham where he makes another interesting discovery about this Caped Crusader’s real identity.

Barry starts revealing things about his own reality to this Batman and it becomes clear to The Flash that this world is real. Somehow, he realizes that someone had changed things and the only one capable of doing such a thing is a foe very familiar to him … Reverse Flash.

Of course, this doesn’t really convince a very different Batman who takes no prisoners and doesn’t care about the world around him and the fact that he has the gun that Joe Chill used that fateful night speaks volumes of how Batman deals with criminals. This Batman doesn’t even care about the state of Wayne Manor or the fact that his name adorns casinos he owns across Gotham. However, uncaring as he is, Cyborg knows Batman’s legacy is strong among heroes and villains and tries to recruit him in order to stop Wonder Woman and Aquaman. You know things are serious when Cyborg’s team consists of Citizen Cold (who we know as Captain Cold), the Sandman, Element Woman and the Shazam kids.

While he turned Cyborg down, he does not do the same for Barry who convinces him that his reality is the true one. So Batman helps Barry regain his lost powers and he does so be recreating the accident using similar chemical compounds and an electric chair hooked up to a lightning rod. It’s a dangerous plan but one that pays off enough that has Batman convinced to follow him into finding another hero … Superman.

They manage to find the Man of Steel but things are not what The Flash or Batman expects when they storm a secret military installation with the help of Cyborg. What they find isn’t the Superman Barry knows but actually something completely unexpected who flies away leaving the others to fend off a wave of security officers. If it wasn’t for the Element Woman – who is so delightfully offbeat that she’s one of the most refreshing characters in Flaspoint – they would all be captured but instead they manage to escape in order to regroup and take the fight to Wonder Woman and Aquaman once and for all.

Speaking of Wonder Woman, we find her to be so menacing that she’s almost unrecognizable. She and her Amazonian warriors have taken the United Kingdom and made it New Themyscira after having slaughtered thousands in the process. She even slays a familiar character who has come to find Lois Lane who is looking for a band of heroes who call themselves The Resistance.

There’s a final confrontation that is no only exciting but jaw dropping as The Flash and a band of heroes take the fight to Aquaman and Wonder Woman who are locked in battle. If the beginning of the series was shocking then wait until the last chapter as this single action will change the entire DC Universe in ways that comic book fans are now experiencing with The New 52.

Flashpoint wasn’t without its weak moments but that doesn’t stop Geoff Johns from telling a story that shocks and awes with a force that you can’t help be drawn into from start to finish. Adding the talents of Andy Kubert backed by Alex Sinclair’s perfect coloring and Sandra Hope’s finishing touches, this is simply a gorgeous-looking book.

A perfect blend of masterful storytelling and attention-grabbing artwork, Flashpoint is one of those rare treats that go from surprising to unforgettable. This is the one that comic book fans will be talking about for years to come and its aftereffects continue to ripple across the DC Universe now with The New 52. A Must-Not-Miss if ever there was one, Flashpoint deserves to be in your growing library.

COMIC REVOLUTION RATING BREAKDOWN

STORY: A+
Barry Allen, The Flash, wakes up only to find that nothing is as it seems since his mother is still alive and nobody has even heard of The Flash. Unfortunately, there’s more bad news as Barry discovers that Wonder Woman and Aquaman have waged a war that is destroying the world. With the help of a very different Batman, the Flash regains the powers he lost but first he must solve the mystery behind this new reality.

ART: A+
There are artists whose work simply jumps off the pages when it comes to making action look mouthwatering good and there are those artists who convey emotion so easily that you feel every emotion. Andy Kubert does both and does it so well that you will often find yourself flipping back a page just to make sure you saw what you saw. Along with Sandra Hope and Alex Sinclair, this graphic novel

OVERALL: A+
Simply put, Flashpoint is not only this year’s best comic book offering but it’s also a game changing experience that will renew your faith in comic books period. There are very few comic book events that will leave such a lasting impression on you but this collection does it easily enough that you will find yourself engrossed from shocking start to explosive end. It really is just that good.

Review copy provided by DC Comics

Reviewed By: Emma Coverdale

Publisher: DC Comics
Writer: Geoff Johns
Artist: Jim Lee
Colorist: Alex Sinclair
Inker: Scott Williams
Genre: Comic Book
MSRP: $3.99 USA
Rating: T (Teen)
Release Date: Available Now

Leave it to Geoff Johns to keep us intrigued as he slowly peels off the layers of a mystery foe while even more slowly bringing a band of heroes closer together to become the legendary team known as the Justice League. As we can see from Justice League #3, more members of the team meet for the first time and another is finally born as the real story has yet to begin. All we know right now is that The New 52 is really looking to be the best thing to happen to the Justice League in a long time.

As it was hinted in the last issue, the United States government and its military has become aware of another superhuman only this one has come from a mysterious island the government would like to find. Instead, what the world gets is a young and spirited young woman named Diana whose comes from the mythical race known as the Amazons. Not knowing quite what to make of her, the military has kept her in a base trying to understand why this young woman eagerly wants to fight for justice with a swing of her sword and her magical lasso.

We find out that the rest of the world knows about her now thanks to her attacks on criminals out in public. She has gotten so much exposure that the media has dubbed her Wonder Woman. Unfortunately, not everyone has embraced Wonder Woman’s existence since everyone from concerned citizens to religious fanatics sees her as something of a threat.

Still, this does not stop Wonder Woman from leaving the compound to fight evil as her liaison of this world, Colonel Trevor, finds out that she smashed her way out of the building to look for the creature reported to be attacking innocent civilians. Out in the street, people fear and loathe her … except for a child whose innocent wonder in the Amazonian reveals Wonder Woman’s own astonishment of this world. Everything from ice cream to rock and roll seem delightful and new to her.

As fate would have it, though, Wonder Woman does encounter the winged creature she head about in the news back in the military compound. It doesn’t turn out to be what she thought but judging by the sight of it we can see that it is actually another of the alien invaders showing up throughout the world.

Meanwhile, the Green Lantern, Batman, Superman and The Flash find themselves fighting off the wave of enemy invaders that suddenly appeared. It is The Flash who hears that similar attacks are going on around the world and there are reports that the invaders are taking humans with them. The four do a great job of fighting off the invaders together as we catch a glimpse of their future using teamwork in battle.

Not too far away, Doctor Stone is cradling the badly injured body of his son who has suffered a direct blast that has left his son incredibly disfigured. Realizing that the blast is eating away the flesh, the Doctor convinces his only surviving staff to help carry his son into a room with untested experimental nanite technology. While everyone else protests using said untested technology, the good doctor does not want to lose his only son and begins the procedure that would transform a young high school student into something else. What happens next is something you really must see for yourself.

While watching Victor Stone’s transformation is nail-bitingly intense, the biggest fan moment just so happens to be Wonder Woman joining in the fray involving the other heroes. Better yet is The Flash and The Green Lantern’s reaction to Wonder Woman. Just seeing the five heroes fighting side-by-side simply makes up for the slightly slower and less action-packed pace. We are also given a tease of the next hero that will cross their paths as well.

As I said before, Geoff Johns just keeps us intrigued and wanting more and this is no different. Add the continued brilliant visuals brought to us by Jim Lee as well as colorist Alex Sinclair and inker Scott Williams as we continue to have a great looking series. This Wonder Woman, by the way, looks absolutely stunning.

Justice League #3 wins big points for an interesting re-introduction to Wonder Woman to a world where heroes are not embraced as automatic saviors. Again, the pacing is slow but hardly a turn off seeing as Geoff Johns excels in keeping us intrigued and – let’s face it – excited by the potential of his story and what we could expect from future issues. This one still has us just as jazzed as the monumental first issue.

COMIC REVOLUTION RATING BREAKDOWN

STORY: B+
As reports come from all around the world about invaders attacking major cities, a younger and more powerful Amazonian warrior the public calls Wonder Woman sets out to defend her new home. Eager for a fight, Wonder Woman happens to come across another band of familiar heroes fighting nearby. Meanwhile, Doctor Stone turns to an untested technology to save Victor’s life.

ART: A+
Jim Lee keeps outdoing himself with every issue of Justice League as we can clearly see from this third issue. Once again, the action looks hot but it’s Lee’s version of a younger and feistier Wonder Woman that steals the show. Well, that and the surprise at the end of the story.

OVERALL: B+
While Green Lantern and Batman’s new companions continue to take on the alien invaders, Justice League #3 will be best remembered as the best re-introduction of Wonder Woman to the Justice League roster. While the introduction slows the action down, it is the new Wonder Woman and the procedure that will transform Vic Stone into Cyborg that makes this issue a Must Have.

Review copy provided by DC Comics